VX-T TREBLE-BOOSTER

The BSM VX-T model is basedon the british Vox Treble & Bass booster, made in the late 60's and used by many british bands at this time. Here is an almost identical copy of the second issue of this Vox unit, but with increased gain and a slightly modified tone network, pronouncing the mid frequencies and making the VX-T the perfect treble-midrange booster. So the sound of the VX-T is placed in between the VX-C Classic Treble&Bass; booster and the RMG Treble Booster. The VX-C Classic offers a more vintage orientaded tone control with some good low end, while the RMG adds more twang and spank to the tone. The VX-T model includes a tone control which allows an extraordinary amount of versatility. When setting the tone-pot to maximum, the unit will produce a very glassy tone - like the "jinge jangle" sound of Roger McGuinn during his mid 60s time with the BYRDS, but with more gain than the RMG and VX-C. When a middle setting is dialed in, the result is a punchy tone with mild highs and a tight an powerful bass bottom. If set to minimum, the unit produces a bluesy bottom with enough mids and a little bit of shimmering highs, but the bass is never getting wooly, like the VX-C Classic can do.